Thornton Wilder
Sunday, February 27, 2011
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Thornton Wilder II
That's what it was like to be alive. To move about in a cloud of ignorance; to go up and down trampling on the feelings of those...of those about you. To spend and waste time as though you had a million years. To be always at the mercy of one self-centered passion, or another. Now you know- that’s the happy existence you wanted to go back to. Ignorance and blindness.
Thornton Wilder
Thornton Wilder
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all the gods ...
Alles geben die Götter, die unendlichen,
Ihren Lieblingen ganz,
Alle Freuden, die unendlichen,
Alle Schmerzen, die unendlichen, ganz.
Goethe
Photo: monument on the cemetery Stahnsdorfer 
Alles geben die Götter, die unendlichen,
Ihren Lieblingen ganz,
Alle Freuden, die unendlichen,
Alle Schmerzen, die unendlichen, ganz.
Goethe
Photo: monument on the cemetery Stahnsdorfer
Saturday, February 26, 2011
How Do I Know If Emu Boots Are Real Or Not?
Each of us ..
Each of us has everything he needs
to explore his deepest being ...
in all of humanity there is no one
could do that for us.
The responsibility and the opportunity to make
aware of our true nature and it
to share with others, lies ultimately with us.
Roger Walsh and Dean Sharpio 
to explore his deepest being ...
in all of humanity there is no one
could do that for us.
The responsibility and the opportunity to make
aware of our true nature and it
to share with others, lies ultimately with us.
Roger Walsh and Dean Sharpio
Friday, February 25, 2011
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Nothing separates us more
I return to the places where we met, and you're back.
I walk the paths that you're gone, you go back with me.
I look forward to what you would still enjoy, I see you mitlächeln.
I am going to the tracks that you left, and I meet you again.
Nothing can separate us if we are so much connected.
Klaus Huber 
I return to the places where we met, and you're back.
I walk the paths that you're gone, you go back with me.
I look forward to what you would still enjoy, I see you mitlächeln.
I am going to the tracks that you left, and I meet you again.
Nothing can separate us if we are so much connected.
Klaus Huber
Thursday, February 24, 2011
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evening meditation
http://www.youtube.com/watch?v=i5uTRXm9hZY&feature=related
A beautiful meditation on "friend "(Irish: Anam Cara) ...
sit back and listen and read!
a peaceful and blessed evening.
Gabriele 
http://www.youtube.com/watch?v=i5uTRXm9hZY&feature=related
A beautiful meditation on "friend "(Irish: Anam Cara) ...
sit back and listen and read!
a peaceful and blessed evening.
Gabriele
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Bandol Domaines Bunan summit
Peter and Paul Bunan
83740
The Charlotte d'Azur Phone: 04 94 98 58 98
Fax: 04 94 98 60 05
Email: info@bunan.com
Channel: www.bunan.com
Domains Bunan
(Bandol)Peter and Paul Bunan
83740
The Charlotte d'Azur Phone: 04 94 98 58 98
Fax: 04 94 98 60 05
Email: info@bunan.com
Channel: www.bunan.com
at the top. Peter and Paul Bunan, assisted by their children, Claire and Laurent can be proud of the hard work they have done on these lands Bandol, creating one of the most beautiful bodies around. Their 2 raw each have a specific nature. Their Bandol Chateau La Rouvière red 2005 is very powerful color as aromas, a wine smelling the ripe fruit and spices (blackberry, blackcurrant pepper ...), slightly peppery finish, to firm tannins well and silky at once, which should allow time for expression. Beau 2004, which blends spices and fruit red, rich color like in structure, which continues its evolution as good this 2003, beautiful dress garnet dense, fruit-scented mature and ' humus, tannins present in both silky and rich. The Chateau La Rouvière white 2008 typed is very well-made, sweet on the palate, a wine harmonious, with aromas of fruit white, a beautiful and elegant a rich aromatic final. The Chateau La Rouvière pink 2008, delicate dress, is a wine flexible, cost , powerful palate, aromatic, dry and sweet both. As a result, their Bandol Rosé Moulin des Costes 2008, a beautiful pale pink, slightly spicy, slightly of dress combines nervousness and sweetness, a nice finish, perfect with a terrine of hare . Beautiful white Moulin des Costes 2008, very charming, spacious, balanced, good acidity , dominated by citrus and almond, persistent mouth, a rich aromatic in the final of lively character, full of nuances. Remarkable vintage Moulin des Costes thrusting red 2004, grapes from on selected parcels of old vines Moulin des Costes (old Mourvèdres) stalked harvest in full, maceration before fermentation, punching down daily, vat 31 days, partial aging in barrels. A vintage colorful flavors while ( raspberry, licorice mouth ...), fleshy, of great concentration and great maturity.
Wednesday, February 23, 2011
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What I wish I
What I want:
that the sky tears open
the nightshade
the wars fade
that the morning light
people to vision awakens
that the walls
of unreason break
that one days is brewing
without deadly doings
that a new
grows under the tireless sun
Anne Marie average
Photo: Stefanie Rabenschlag 
What I want:
that the sky tears open
the nightshade
the wars fade
that the morning light
people to vision awakens
that the walls
of unreason break
that one days is brewing
without deadly doings
that a new
grows under the tireless sun
Anne Marie average
Photo: Stefanie Rabenschlag
Where To Buy Angel Cloud Christmas
Thornton Wilder
"We ourselves shall be loved for awhile and forgotten But the love will have been enough;... All those impulses of love return to the love that made them even memory is Not Necessary for love There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning. "
Thornton Wilder
(The Bridge of San Luis Rey) 
"We ourselves shall be loved for awhile and forgotten But the love will have been enough;... All those impulses of love return to the love that made them even memory is Not Necessary for love There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning. "
Thornton Wilder
(The Bridge of San Luis Rey)
Tuesday, February 22, 2011
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It clears the sea, the sun
Deletes the sea from the sun,
Cooling is moonlight awakens
The golden eagle leaves his house
Tired of the silver swan the night.
whisper Kahne glistens on the waves Run,
Quiet comes the wind the strings,
Love draws on her sails, longing
the rudder out safely.
Now I rest silent in my heart, Sure to fluctuating waves
hall,
will sing you a lullaby
hissing, the undulating nature.
kissing the shaft neck touches the wind,
darling, let me on the cheek, And
dream that your little boat I lind
through life guide '.
weighs How softly the light Kahn,
love, with your sweet load
As he pulls his car shell, a pearl handled
The gem.
Oh, that my arm was the trusted shell ',
The enclosed up all the time!
with my rudder does the sea,
darling, my arm is ready for you.
(Silcher) 
Cooling is moonlight awakens
The golden eagle leaves his house
Tired of the silver swan the night.
whisper Kahne glistens on the waves Run,
Quiet comes the wind the strings,
Love draws on her sails, longing
the rudder out safely.
Now I rest silent in my heart, Sure to fluctuating waves
hall,
will sing you a lullaby
hissing, the undulating nature.
kissing the shaft neck touches the wind,
darling, let me on the cheek, And
dream that your little boat I lind
through life guide '.
weighs How softly the light Kahn,
love, with your sweet load
As he pulls his car shell, a pearl handled
The gem.
Oh, that my arm was the trusted shell ',
The enclosed up all the time!
with my rudder does the sea,
darling, my arm is ready for you.
(Silcher)
Monday, February 21, 2011
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How do I love thee?
How do I love thee? Let me count the ways.
I love you so deep, so high, as far as my soul
blindly sufficient if it
feeling out of existence and eternity.
I love thee to the most peaceful state,
achieved by each day in the lamplight
or sun. Frei, right, and pure
like those who turn from Praise.
With all the passion of the suffering and time
with childhood power that was gone, since my Holy
not more loved.
With all smiles, all Tränennot
breath and everything. And if God choose, I will love you
better after death.
Elizabeth Barrett Browning (1806-1861)
from English by Rainer Maria Rilke
Image: Marc Chagall 
I love you so deep, so high, as far as my soul
blindly sufficient if it
feeling out of existence and eternity.
I love thee to the most peaceful state,
achieved by each day in the lamplight
or sun. Frei, right, and pure
like those who turn from Praise.
With all the passion of the suffering and time
with childhood power that was gone, since my Holy
not more loved.
With all smiles, all Tränennot
breath and everything. And if God choose, I will love you
better after death.
Elizabeth Barrett Browning (1806-1861)
from English by Rainer Maria Rilke
Image: Marc Chagall
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How do I love thee?
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height My soul can reach
, when feeling out of sight For the ends
of being and ideal grace.
I love thee to the level of every day's Most quiet need
, by sun and candle-light. I love thee freely
, as men strive for right, I love thee purely
, as they turn from praise.
I love thee with the passion put to use In my old griefs
, and with my childhood's faith.
I love thee with a love I Seemed to lose With my lost saints
. I love thee with the breath,
Smiles, tears, of all my life, and, if God choose, I shall but love thee
better after death.
Sonnets from the Portuguese Elizabeth Barrett Browning 43
Image: Marc Chagall 
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height My soul can reach
, when feeling out of sight For the ends
of being and ideal grace.
I love thee to the level of every day's Most quiet need
, by sun and candle-light. I love thee freely
, as men strive for right, I love thee purely
, as they turn from praise.
I love thee with the passion put to use In my old griefs
, and with my childhood's faith.
I love thee with a love I Seemed to lose With my lost saints
. I love thee with the breath,
Smiles, tears, of all my life, and, if God choose, I shall but love thee
better after death.
Sonnets from the Portuguese Elizabeth Barrett Browning 43
Image: Marc Chagall
Sunday, February 20, 2011
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John O'Donohue from Benedictus
For a father or a mother on the death of a child
No one knows about the surprise
that your child awakened in you: your heart
a perfect Cradle
to take his presence.
inside and outside were one,
while new waves of love
your soul more and more surprised.
Now you sit
robbed in a nightmare, blind
your eyes from the sight of a tomb, the
no father, no mother should ever see.
this absence
You will wear as a secret sign
and constantly ask you why
was such a young soul
brought home so early.
let the silent tears flowing, and if
clarify your eyes, you will recognize
perhaps
was that your eternal child to the invisible angels.
The father and mother of your heart and the moon is
persuaded to send across the sea of tears
a new gift.
John O'Donohue: Benedictus, the book of Irish blessings
Picture: Barry Maguire 
No one knows about the surprise
that your child awakened in you: your heart
a perfect Cradle
to take his presence.
inside and outside were one,
while new waves of love
your soul more and more surprised.
Now you sit
robbed in a nightmare, blind
your eyes from the sight of a tomb, the
no father, no mother should ever see.
this absence
You will wear as a secret sign
and constantly ask you why
was such a young soul
brought home so early.
let the silent tears flowing, and if
clarify your eyes, you will recognize
perhaps
was that your eternal child to the invisible angels.
The father and mother of your heart and the moon is
persuaded to send across the sea of tears
a new gift.
John O'Donohue: Benedictus, the book of Irish blessings
Picture: Barry Maguire
Wednesday, February 16, 2011
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My Loved heart in Saint-Emilion
At St. Emilio No, we're back in the stories of towers, and too much fluff. Besides a ranking "official" who is rather smile, which "rise" at least some thought incongruously and discrediting others (Gaudet, Faurie, Cadet Bon, Lamarzelle, Petit Faurie de Soutard La Tour du Pin Figeac ... ) that does not really deserve it, we can not also be disappointed by wines totally "manufactured" wine by those who believe they have the "rocket science" and want us to believe a wine that by "200% in new barrels" or manipulation by multiplying wine, and the concentrations of "testing", is known to make wine! These people make fun of amateurs and other wine of the appellation we stand for, who know very well if we put 10%, 20%, 30%, 50% of their wines in new barrels, or less, or Also, depending on the strength of the vintage and the wine's structure. We do not make good wine, let alone a vintage that on soils suitable, the "iron dross" deep to clay, assorted marine deposits or iron pan. Station at certain prices, totally unjustified.
At St. Emilio No, we're back in the stories of towers, and too much fluff. Besides a ranking "official" who is rather smile, which "rise" at least some thought incongruously and discrediting others (Gaudet, Faurie, Cadet Bon, Lamarzelle, Petit Faurie de Soutard La Tour du Pin Figeac ... ) that does not really deserve it, we can not also be disappointed by wines totally "manufactured" wine by those who believe they have the "rocket science" and want us to believe a wine that by "200% in new barrels" or manipulation by multiplying wine, and the concentrations of "testing", is known to make wine! These people make fun of amateurs and other wine of the appellation we stand for, who know very well if we put 10%, 20%, 30%, 50% of their wines in new barrels, or less, or Also, depending on the strength of the vintage and the wine's structure. We do not make good wine, let alone a vintage that on soils suitable, the "iron dross" deep to clay, assorted marine deposits or iron pan. Station at certain prices, totally unjustified.
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Wednesday, February 9, 2011
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GRAVES CHATEAU DU GRAND BOS
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 Since the seventeenth century, the old family Crozilhac, bourgeois Bordeaux , lords of Lecscaley Laguloup and whose arms are Azure a chevron gold with three shells Similarly, two in chief, a peak, had developed the culture of the vine in its area of Greater Bos she has owned since the late sixteenth century until 1830. In 1771, the house was renovated and enlarged and stilted common for them to do under the best conditions, an already famous wine of the parish of Castres-en-Guyenne. Feret, in his book " Bordeaux and its wines , already in 1868 ranked the top wines of of the town as it does today. It is located in Graves of Bordeaux Andre Jullien, in his "Topography of all known vineyards" in the author published in Paris in 1816, defined as "gravelly soils that surround three sides the city of Bordeaux and extend 10 km north-west to the small river La Jale, 8 km to the west in the land, and 18 km south-east to the City Castres, near the left bank of the Garonne. This small region provides red wines are generally more colorful, more full-bodied and spirits more than the Medoc , but with less bouquet and sap. They need to stay longer in barrels before being bottled in in which they then keep for a long time. " In 1988, Andre Vincent, former owner of the castle The Hague, Cru Bourgeois Saint-Estephe to in the Médoc ranking of 1932, bought the Grand Bos who did more wine since 1950. After restoring the buildings, planted, especially acquired old vines in the wake of his serious deep vein doubles the heat of the sun and is set on a limestone base tertiary he outfitted the property in materials modern. Following successive extensions of cellars and chests in 1992, 1996 and 2000 he gave the farm its current appearance in 2004 and 2005, for the construction of an underground cellar with a capacity of 500 barrels, and the rehabilitation of primitive chest, now serving a vineyard covering 18.30 hectares with a total area of nearly 42 ha. The first harvest of the resurgent property occurred in 1992. The first bottling was made in 1994, and during the early years, to calibrate its wines and restore their reputation, Andre Vincent presented them in competitions, which allowed him to be awarded: in 1994, a medal of gold Concours General Agricole de Paris for the 1992 vintage red, a 1995 Silver Medal Award in Chicago and a Silver medal Contest wines of Bordeaux for vintage 1993 and in 1996 a medal of gold Contest General Agricole in Paris for the 1994 vintage, in 1997 a silver medal at the Concours Général Agricole de Paris for the 1995 . Demonstration is made and the regularity of vintages, the wines have not been presented thereafter. Large guides have quickly distinguished wines Grand Bos: Guide Dussert-Gerber has included in its classification of wines from Graves' first great wine classified . Guide Hachette for vintages from 1994 to 2004, they awarded two favorites, two-star 4 times, 5 times 4 times a star and a citation. The guide and Desseauve Bettane, the Journal of wines from France ... have also routinely cited. Among the foreign journals, they may indicate Decanter Vinum in London and Zurich which have always noted the remarkably Grand Bos: 4 stars in Decanter and 16 points for Vinum. The red wine of Chateau Grand Bos has always been in the forefront Trophy of raw Graves and was awarded the Price Laffort for 1 to general classification of this award for all three vintages 1996, 1997 and 1998. It is understandable that many loyal fans do not hesitate to trust him!
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Andre Vincent 
Vintages
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